We at The Art Hall are delighted to announce the opening reception for our next featured artist and Portland Waldorf School Lily Kindergarten Classroom Assistant, Anca Hariton, on Thursday evening, March 07th.
The roots of this show go deep, before my immigrating to the US. Bucharest, where I grew up, used to be known as the city of more than 200 churches, before the end of WW II. However, with the arrival of the communist revolution, worship was reserved for the Party, while traditional faiths/church attendance were discouraged, infiltrated and reported, especially in the capital. I still remember how in 4th grade, for example, our teacher admonished us, “I shall not see any of you going to church on Sunday!” Instead, families taught their children to pray secretly.
I left communist Romania for good in the mid 80’s as a trained architect. Years forward, after September 11th happened, I decided to become a teacher. I earned my credential and then my Waldorf certification. For teaching the third grade Waldorf curriculum, I had to learn from scratch what I had missed: the holy stories of the Hebrew and Christian traditions. In particular, the story of the Seven Days of Creation held many revelations for me and, in conjunction with reading Rudolf Steiner’s fascinating lectures on them, they inspired these paintings.
To be given permission for what I was not allowed to openly experience as I grew up, to learn about and teach these ancient stories felt like poetic justice. Which is why I am grateful to be able to have this series shown here, at the Cedarwood Waldorf School. Thank you!
My warm appreciation goes to all who helped this show come true: from my family and old friends (many far away) to my new Portland community and friends, including Robin Lieberman (founder and Art Hall director), Robin’s son (who designed our invitation), Christine Badura (who put us in touch), Cedarwood School (which is offering a warm/soul-filled art space), and all my friends and colleagues who encouraged this effort.
Metamorphora, the name of Anca’s show, is a neologism, a mash-up of metamorphosis and hora, a circle dance popular in the Balkans, Israel and Yiddish culture worldwide.
We welcome you to join us for Anca’s opening on Thursday, March 07th, 5:30 – 8:00 p.m., with her artist’s presentation at 6:00. For more information Anca’s work or to contact her directly, please visit her website, Sacristima.
The Art Hall is pleased to begin its sixth year (!) exhibiting art created by artists working out of the spiritual impulse of anthroposophy, with Phyllis Helland, from Eugene, Oregon, joining our roster of locally, nationally and internationally recognized artists at her opening reception on Thursday, January 17th.
A YEAR OF ART IN THE LIFE OF PHYLLIS HELLAND
“Our lives are an art. To live in a creative way nurtures our souls and improves our lives.
It’s a daily practice. Each new day given to us is a blessing and a chance to try again.”
~ from Jennifer Thomson, one of my teachers ~
In my practice I find drawing helps me to see and understand what I am looking at, and what is looking back at me. I carry a sketchbook with me most of the time.
Painting is a dialogue with color. Sometimes I paint purely to explore color and mood and watch for a motif to reveal itself. When I paint outdoors, en plein air, the natural world reveals colors that are not readily seen, but are there, nonetheless. The more I work with color, the more color I see in nature, and the more color reveals to me.
Some of these are pieces I made in the past year, others earlier. However, in the past year I have put all these pieces “to work” in various exhibits, study groups, and on social media. Whenever a piece of art engages with a viewer, something happens that is entirely between the viewer and the piece itself.
There is the work of making art, and then there is the work that the art does when released into the world. Art work.
Please join us for Phyllis’ opening reception Thursday, January 17th, 5:30 – 8:00 p.m. and hear Phyllis share her unique perspective on growing art in the world at 6:00.
We at The Art Hall are pleased to present a joint exhibit of geometric string and metal art by Tom Klein and Marty Levin, long-time anthroposophists whose lifelong passions for experimenting with dynamic form and space have drawn them together in recent friendship and artistic collaboration.
Please join us this coming Thursday, March 08th, for the opening of their show titled String and Metal; Movement in Space. Doors open at 5:00 and we’ll enjoy a talk by the artists at 6:00 p.m.
Marty and Judy Levin’s second stop when exploring Portland as a possible new home was the opening reception for MJ Davison at The Art Hall in January 2016 after a welcoming dinner with Jannebeth Röell and James Lee. Since then, the Martins have become regular attendees providing invaluable support at events at The Art Hall and others in Portland’s anthroposophic community. In addition, last Fall Marty had a stunning exhibit of his geometric sculptures at the Multnomah Art Center. Warm and gentle by nature, he has had a rich and rewarding career as a mathematician and Waldorf teacher.
After receiving my Ph.D. in mathematics from Johns Hopkins University, I met Georg Unger in 1970 in Dornach, Switzerland. He introduced me to mathematical work based on indications from Rudolf Steiner, in particular the geometrical work of George Adams. Dr. Unger also suggested the Platonic solids as forms worthy of contemplation. I spent most of my career teaching mathematics in Waldorf high schools, where the students’ ability to visualize forms and the movement of forms was developed through geometric drawings and models. After retiring, I further perfected my techniques for making the geometric models, exhibiting them in math conferences and art galleries.
The ancient Greeks found that there are exactly five convex regular polyhedra, called the Platonic solids. In modern times we have found that these same forms represent all possible types of finite three-dimensional symmetry, thereby showing once again that they are fundamental to the nature of space. The geometric sculptures, exhibited here, show some of the geometric relationships between the different Platonic solids, and are designed to suggest planes and lines coming in from the infinitely distant periphery. They are made with a minimal amount of physical material; what’s important is not what is there, but what is not there, which the viewer sees with their inner eye. When viewing a piece, if you close one eye and move slightly, you will find positions in which various lines suddenly coincide, giving startlingly beautiful and different views.
Tom Klein, together with his dear wife, Ruthi, have been pillars in our Portland anthroposophic community for over 40 years. At the helm of the start of the Portland Waldorf School, manager of the former Steiner Storehouse, Cedarwood School’s first administrator, anthroposophic library keeper, board member of PCCI (a local Camphill-inspired initiative)…the list goes on. We at The Art Hall can always count on Tom (and Ruthi!) to pitch in, take the lead, sell books, set up, man the registration table…yes, that list goes on, too.
As a twelve-year graduate of the Rudolf Steiner School in NYC, Tom has been building and creating his entire life. Many of the chairs, tables and play stands in the local Waldorf schools have come from Tom’s workshop. And he does beautiful custom orders for dining tables and outdoor furniture. Your home may already be graced by Tom’s extraordinary string art which he clearly elevates to new levels: large or small in scale, colorful and intense, these creations are beautiful and mesmerizing. Tom has been a guest teacher locally, sharing his process and forms with young student-artists as part of their Waldorf school geometry blocks. Having worked for 28 years at Head Start, Tom’s dedication and love for children and their well-being is contagious.
I first met string art in sixth grade geometry and again in eighth grade when studying conic sections. I have actively pursued this interest for the last 50 years. In elementary school I worked with circles with 12-points. In the 1960’s I worked with 48-point circles and in the 1970’s started working with 96-point circles. I also developed and worked with spirals. In the conic sections work, which also began in the 60’s, I worked in lines consisting of…points placed as close as possible.
When invited to exhibit together there was no hesitation from either of these two new friends. They began meeting to collaborate on how they would share the space in the hall with great joy and excitement: a match made in heaven…and manifesting here, for us!
Again, please join us this Thursday, 5:00 – 8:00 p.m., for the opening, with a talk by the artists at 6:00 p.m.
We at The Art Hall are delighted to announce the return of Laura Summer. Four years ago, when we first hosted Laura, 36 of her paintings were dispersed. We are so fortunate to have the opportunity to feature 30 new stretched canvases specifically painted for Dispersal 2018!
Laura is working to create the conditions for artists to be able to work freely: patrons can become the steward of a painting but cannot buy or own it. But in donating, the patron could at least, for example, pay for the materials to make new work, thereby supporting the artist to keep creating.
Each painting in the exhibit/dispersal will have a tag indicating a range from zero up to what the piece might typically sell for. This way of communicating encourages both artist and patron to engage in a relationship with the art and with one another.
The reflective/contemplative patron may ask herself “what can I afford to pay for this painting that so touches my soul?”, or “when I first looked at it, what did I imagine the price would be?”, or even “what can I truly afford to spend to enrich my world?”
One may donate and not become a steward. Or one may donate, become a steward, and live with the painting. Later, perhaps one then feels moved to share it with someone else, letting the artist know where the painting now lives. Or, when the painting has met its need, the steward can simply send it back to the artist, renewing the process.
Laura has said, “each painting has its work to do in the world and I want them all to be dispersed.…Color is healing for the human soul.” You can read more about Art Dispersal on the Free Columbia website, the school Laura co-founded based on the same monetary principles. Her biography appears below the post.
Many of us in the Portland and Eugene areas have been looking forward to Laura’s visit since we began planning last May. Also on the west coast agenda is a two-day workshop titled The Gospel of St John, to occur the Saturday and Sunday following Friday night’s Dispersal, adjacent to The Art Hall in the South Performance Space at Cedarwood Waldorf School.
Unfortunately, due to challenging family circumstances, Laura needs to postpone her west coast teaching schedule. However, with her heart-felt blessing and loving guidance we will proceed with the Dispersal as scheduled on Friday, January 19, 2018, and with the two-day workshop to follow (see the accompanying flier below or click here for the same details). Please continue to sign up with Robin Lieberman (503-222-1192; firstname.lastname@example.org), who will facilitate the workshop.
We will welcome Laura back to Portland in due time. For now, we send her our blessings and gratitude as we continue to learn and grow from her creativity and teachings that she so generously shares with the world. And we are sending love to her family.
Artist’s Biography. Laura Summer is co-founder with Nathaniel Williams of Free Columbia, an arts initiative that includes a full-time program based on the fundamentals of painting as they come to life through spiritual science. It is completely grass roots donation supported and has no set tuitions. Her approach to color is influenced by Beppe Assenza, Rudolf Steiner, and by Goethe’s color theory. She has been working with questions of color and contemporary art for 30 years. Her work, to be found in private collections in the US and Europe, has been exhibited at the National Museum of Catholic Art and History in New York City and at the Sekem Community in Egypt. She has published seven books, four with painting and drawing exercises and three with stories. She founded two temporary alternative exhibition spaces in Hudson NY, 345 Collaborative Gallery and Raising Matter—this is not a gallery and initiated ART DISPERSAL 2012-17, where over 450 pieces of art by professional artists have been dispersed to the public without set prices.
The Art Hall is pleased to announce our next featured artist to kick off our 2017 – 2018 season: photographs by Jacqueline Freeman, a biodynamic farmer who sees the world from Nature’s perspective.
When Jacqueline was seven years old, she discovered a small stone chair and a tiny clay pipe in the woods. Thereafter, she spent much of her childhood in places where the Elementals showed their presence on the land. She learned to communicate with plants and nature spirits, animals, and the muses. The Elementals on her farm have, for many years, shared imagery and communications with her. This exhibit, her first, shows the evolution of their relationship.
Jacqueline’s book, Song of Increase: Listening to the Wisdom of Honeybees for Kinder Beekeeping and a Better World, explains how bees experience the sacred. She appeared in the documentary, Queen of the Sun, and worked with rural farmers in Dominican Republic, helping them return to historic methods of agriculture. In 2017 she founded the nonprofit, Preservation Beekeeping, through which she is creating respectful ways for humans to interact with bees. Her website, www.SpiritBee.com, shows videos of her working amid thousands of bees, free of protective equipment, celebrating the caring and considerate ways humans and bees exist in harmony.
Jacqueline and her husband Joseph live in southwest Washington surrounded by orchards, gardens, greenhouses, a small forest, rich pastures and wildflowers. The farm is a haven for native pollinators, birds, cows, an exuberant dog, fleet of cats, wandering flocks of chickens and turkeys, small frog ponds, and many nature spirits who live in harmony with this blessed land. These relationships are based on respect, love and kindness, paths that open communication with the unseen realm and invite a co-creative resonance that increases the divine energetics of holy land.
Please join us on Thursday, September 14, 2017 at 7:15 p.m. for Jacqueline’s opening reception, with an artist’s talk at 7:30 p.m.
As an Early Childhood Teacher with the Woodland Garden Program, our featured artist is affectionately known as Ms. Katie in the Cedarwood Waldorf School Community. She has been an early childhood teacher for five years and a caretaker for children for over a decade. Her interest in photography was sparked in her early years of college when she often wandered through the local gardens and was enchanted by the flora and fauna. Born and raised just outside of Los Angeles, California, Katie has been a nature and bee appreciator since her youngest years.
Katie studied Conservation and Resources Studies at the University of California Berkeley with a specialization in School Garden Education. She was invited to work with a research team which focused on native bee diversity in urban areas. Katie initially contributed to this work with visits to schools where she taught children about the many gifts of pollinators and helped to demystify the fears surrounding bees. She soon joined her mentor in conservation research, traveling to gardens throughout California to monitor native bee species. During her time closely observing bees, Katie discovered her passion for macro photography.
Katie is completing her last year of Waldorf Teacher Training at the Rudolf Steiner College in Sacramento, where she has spent much time in between classes sitting in the Biodynamic gardens to quietly view the blooming flowers and their winged foragers.
A Photographic Journey with the Bees offers a uniquely intimate perspective on the honeybees and native bees of Portland. Katie’s work shows how, if one observes and listens closely, the bees of the world offer messages of wisdom and wonder. Katie is also currently writing a children’s book about native bees, and she dreams of one day creating a bee sanctuary in her community.
Please join us for Katie’s opening reception on Thursday, April 27, 5:30 – 7:30 p.m., with an artist’s talk at 6:00. Her beautiful work will hang through Thursday, June 1.
regional sketch group exhibition 2017: studies of nine training sketches of nature moods for painters by rudolf steiner
In the summer of 2014 Laura Summer, founder of Free Columbia art school and a 2014 Art Hall artist, offered a workshop based on Rudolf Steiner’s Nine Training Sketches of Nature Moods for Painters, in Corvallis, Oregon. Artists from Portland, Eugene, Corvallis and elsewhere in the region were inspired to further pursue their investigations. We at The Art Hall are now pleased and privileged to offer an exhibition of ten participating artists’ interpretations of their artistic research.
Please join us to meet the artists at our opening reception on Friday, January 13th, 5:30 – 7:00 p.m., and take in a presentation by Wade Cavin, High School Life Sciences and Mathematics teacher at Portland Waldorf School, who will introduce these studies in his typically comprehensive and engaging style. To learn more about the week-long workshop which gave rise to the works please read fellow 2014 Art Hall artist Patricia Lynch’s personal reflections in the January 2017 newsletter of The Portland Branch of the Anthroposophical Society.