We at The Art Hall are pleased to present a joint exhibit of geometric string and metal art by Tom Klein and Marty Levin, long-time anthroposophists whose lifelong passions for experimenting with dynamic form and space have drawn them together in recent friendship and artistic collaboration.
Please join us this coming Thursday, March 08th, for the opening of their show titled String and Metal; Movement in Space. Doors open at 5:00 and we’ll enjoy a talk by the artists at 6:00 p.m.
Marty and Judy Levin’s second stop when exploring Portland as a possible new home was the opening reception for MJ Davison at The Art Hall in January 2016 after a welcoming dinner with Jannebeth Röell and James Lee. Since then, the Martins have become regular attendees providing invaluable support at events at The Art Hall and others in Portland’s anthroposophic community. In addition, last Fall Marty had a stunning exhibit of his geometric sculptures at the Multnomah Art Center. Warm and gentle by nature, he has had a rich and rewarding career as a mathematician and Waldorf teacher.
After receiving my Ph.D. in mathematics from Johns Hopkins University, I met Georg Unger in 1970 in Dornach, Switzerland. He introduced me to mathematical work based on indications from Rudolf Steiner, in particular the geometrical work of George Adams. Dr. Unger also suggested the Platonic solids as forms worthy of contemplation. I spent most of my career teaching mathematics in Waldorf high schools, where the students’ ability to visualize forms and the movement of forms was developed through geometric drawings and models. After retiring, I further perfected my techniques for making the geometric models, exhibiting them in math conferences and art galleries.
The ancient Greeks found that there are exactly five convex regular polyhedra, called the Platonic solids. In modern times we have found that these same forms represent all possible types of finite three-dimensional symmetry, thereby showing once again that they are fundamental to the nature of space. The geometric sculptures, exhibited here, show some of the geometric relationships between the different Platonic solids, and are designed to suggest planes and lines coming in from the infinitely distant periphery. They are made with a minimal amount of physical material; what’s important is not what is there, but what is not there, which the viewer sees with their inner eye. When viewing a piece, if you close one eye and move slightly, you will find positions in which various lines suddenly coincide, giving startlingly beautiful and different views.
Tom Klein, together with his dear wife, Ruthi, have been pillars in our Portland anthroposophic community for over 40 years. At the helm of the start of the Portland Waldorf School, manager of the former Steiner Storehouse, Cedarwood School’s first administrator, anthroposophic library keeper, board member of PCCI (a local Camphill-inspired initiative)…the list goes on. We at The Art Hall can always count on Tom (and Ruthi!) to pitch in, take the lead, sell books, set up, man the registration table…yes, that list goes on, too.
As a twelve-year graduate of the Rudolf Steiner School in NYC, Tom has been building and creating his entire life. Many of the chairs, tables and play stands in the local Waldorf schools have come from Tom’s workshop. And he does beautiful custom orders for dining tables and outdoor furniture. Your home may already be graced by Tom’s extraordinary string art which he clearly elevates to new levels: large or small in scale, colorful and intense, these creations are beautiful and mesmerizing. Tom has been a guest teacher locally, sharing his process and forms with young student-artists as part of their Waldorf school geometry blocks. Having worked for 28 years at Head Start, Tom’s dedication and love for children and their well-being is contagious.
I first met string art in sixth grade geometry and again in eighth grade when studying conic sections. I have actively pursued this interest for the last 50 years. In elementary school I worked with circles with 12-points. In the 1960’s I worked with 48-point circles and in the 1970’s started working with 96-point circles. I also developed and worked with spirals. In the conic sections work, which also began in the 60’s, I worked in lines consisting of…points placed as close as possible.
When invited to exhibit together there was no hesitation from either of these two new friends. They began meeting to collaborate on how they would share the space in the hall with great joy and excitement: a match made in heaven…and manifesting here, for us!
Again, please join us this Thursday, 5:00 – 8:00 p.m., for the opening, with a talk by the artists at 6:00 p.m.
We at The Art Hall are delighted to announce the return of Laura Summer. Four years ago, when we first hosted Laura, 36 of her paintings were dispersed. We are so fortunate to have the opportunity to feature 30 new stretched canvases specifically painted for Dispersal 2018!
Laura is working to create the conditions for artists to be able to work freely: patrons can become the steward of a painting but cannot buy or own it. But in donating, the patron could at least, for example, pay for the materials to make new work, thereby supporting the artist to keep creating.
Each painting in the exhibit/dispersal will have a tag indicating a range from zero up to what the piece might typically sell for. This way of communicating encourages both artist and patron to engage in a relationship with the art and with one another.
The reflective/contemplative patron may ask herself “what can I afford to pay for this painting that so touches my soul?”, or “when I first looked at it, what did I imagine the price would be?”, or even “what can I truly afford to spend to enrich my world?”
One may donate and not become a steward. Or one may donate, become a steward, and live with the painting. Later, perhaps one then feels moved to share it with someone else, letting the artist know where the painting now lives. Or, when the painting has met its need, the steward can simply send it back to the artist, renewing the process.
Laura has said, “each painting has its work to do in the world and I want them all to be dispersed.…Color is healing for the human soul.” You can read more about Art Dispersal on the Free Columbia website, the school Laura co-founded based on the same monetary principles. Her biography appears below the post.
Many of us in the Portland and Eugene areas have been looking forward to Laura’s visit since we began planning last May. Also on the west coast agenda is a two-day workshop titled The Gospel of St John, to occur the Saturday and Sunday following Friday night’s Dispersal, adjacent to The Art Hall in the South Performance Space at Cedarwood Waldorf School.
Unfortunately, due to challenging family circumstances, Laura needs to postpone her west coast teaching schedule. However, with her heart-felt blessing and loving guidance we will proceed with the Dispersal as scheduled on Friday, January 19, 2018, and with the two-day workshop to follow (see the accompanying flier below or click here for the same details). Please continue to sign up with Robin Lieberman (503-222-1192; firstname.lastname@example.org), who will facilitate the workshop.
We will welcome Laura back to Portland in due time. For now, we send her our blessings and gratitude as we continue to learn and grow from her creativity and teachings that she so generously shares with the world. And we are sending love to her family.
Artist’s Biography. Laura Summer is co-founder with Nathaniel Williams of Free Columbia, an arts initiative that includes a full-time program based on the fundamentals of painting as they come to life through spiritual science. It is completely grass roots donation supported and has no set tuitions. Her approach to color is influenced by Beppe Assenza, Rudolf Steiner, and by Goethe’s color theory. She has been working with questions of color and contemporary art for 30 years. Her work, to be found in private collections in the US and Europe, has been exhibited at the National Museum of Catholic Art and History in New York City and at the Sekem Community in Egypt. She has published seven books, four with painting and drawing exercises and three with stories. She founded two temporary alternative exhibition spaces in Hudson NY, 345 Collaborative Gallery and Raising Matter—this is not a gallery and initiated ART DISPERSAL 2012-17, where over 450 pieces of art by professional artists have been dispersed to the public without set prices.
The Art Hall is pleased to announce our next featured artist to kick off our 2017 – 2018 season: photographs by Jacqueline Freeman, a biodynamic farmer who sees the world from Nature’s perspective.
When Jacqueline was seven years old, she discovered a small stone chair and a tiny clay pipe in the woods. Thereafter, she spent much of her childhood in places where the Elementals showed their presence on the land. She learned to communicate with plants and nature spirits, animals, and the muses. The Elementals on her farm have, for many years, shared imagery and communications with her. This exhibit, her first, shows the evolution of their relationship.
Jacqueline’s book, Song of Increase: Listening to the Wisdom of Honeybees for Kinder Beekeeping and a Better World, explains how bees experience the sacred. She appeared in the documentary, Queen of the Sun, and worked with rural farmers in Dominican Republic, helping them return to historic methods of agriculture. In 2017 she founded the nonprofit, Preservation Beekeeping, through which she is creating respectful ways for humans to interact with bees. Her website, www.SpiritBee.com, shows videos of her working amid thousands of bees, free of protective equipment, celebrating the caring and considerate ways humans and bees exist in harmony.
Jacqueline and her husband Joseph live in southwest Washington surrounded by orchards, gardens, greenhouses, a small forest, rich pastures and wildflowers. The farm is a haven for native pollinators, birds, cows, an exuberant dog, fleet of cats, wandering flocks of chickens and turkeys, small frog ponds, and many nature spirits who live in harmony with this blessed land. These relationships are based on respect, love and kindness, paths that open communication with the unseen realm and invite a co-creative resonance that increases the divine energetics of holy land.
Please join us on Thursday, September 14, 2017 at 7:15 p.m. for Jacqueline’s opening reception, with an artist’s talk at 7:30 p.m.
As an Early Childhood Teacher with the Woodland Garden Program, our featured artist is affectionately known as Ms. Katie in the Cedarwood Waldorf School Community. She has been an early childhood teacher for five years and a caretaker for children for over a decade. Her interest in photography was sparked in her early years of college when she often wandered through the local gardens and was enchanted by the flora and fauna. Born and raised just outside of Los Angeles, California, Katie has been a nature and bee appreciator since her youngest years.
Katie studied Conservation and Resources Studies at the University of California Berkeley with a specialization in School Garden Education. She was invited to work with a research team which focused on native bee diversity in urban areas. Katie initially contributed to this work with visits to schools where she taught children about the many gifts of pollinators and helped to demystify the fears surrounding bees. She soon joined her mentor in conservation research, traveling to gardens throughout California to monitor native bee species. During her time closely observing bees, Katie discovered her passion for macro photography.
Katie is completing her last year of Waldorf Teacher Training at the Rudolf Steiner College in Sacramento, where she has spent much time in between classes sitting in the Biodynamic gardens to quietly view the blooming flowers and their winged foragers.
A Photographic Journey with the Bees offers a uniquely intimate perspective on the honeybees and native bees of Portland. Katie’s work shows how, if one observes and listens closely, the bees of the world offer messages of wisdom and wonder. Katie is also currently writing a children’s book about native bees, and she dreams of one day creating a bee sanctuary in her community.
Please join us for Katie’s opening reception on Thursday, April 27, 5:30 – 7:30 p.m., with an artist’s talk at 6:00. Her beautiful work will hang through Thursday, June 1.
regional sketch group exhibition 2017: studies of nine training sketches of nature moods for painters by rudolf steiner
In the summer of 2014 Laura Summer, founder of Free Columbia art school and a 2014 Art Hall artist, offered a workshop based on Rudolf Steiner’s Nine Training Sketches of Nature Moods for Painters, in Corvallis, Oregon. Artists from Portland, Eugene, Corvallis and elsewhere in the region were inspired to further pursue their investigations. We at The Art Hall are now pleased and privileged to offer an exhibition of ten participating artists’ interpretations of their artistic research.
Please join us to meet the artists at our opening reception on Friday, January 13th, 5:30 – 7:00 p.m., and take in a presentation by Wade Cavin, High School Life Sciences and Mathematics teacher at Portland Waldorf School, who will introduce these studies in his typically comprehensive and engaging style. To learn more about the week-long workshop which gave rise to the works please read fellow 2014 Art Hall artist Patricia Lynch’s personal reflections in the January 2017 newsletter of The Portland Branch of the Anthroposophical Society.
We at the Art Hall are delighted and honored to exhibit the gloriously colorful work of Valerie Miles, a pillar in Portland’s Waldorf and larger anthroposophic communities for years with her husband, John.
Valerie was born and raised in Nottingham in the English Midlands. She found satisfaction as a young child in drawing the nature that she saw around her. Valerie later studied at Nottingham College of Art and then at Hatfield University, gaining her first degree in Art and Literature.
Valerie raised her children in Germany. While there Karo Bergman, a well-known anthroposophic artist and professor at Dusseldorf University, invited Valerie to paint and draw with her on a regular basis, which they did for several years in Karo’s studio.
After the family returned to England, Valerie trained as a Waldorf Teacher and then first taught the History of Art in the High School. One of her first pupils, Gill David, is now the Director of Tobias School of Art and Art Therapy.
Soon afterwards Valerie became a Class Teacher, taking her first class through Grade 8. Partway through her third class the family moved to Canada and then at last here to Portland, Oregon. She again taught as a Class Teacher at the Portland Waldorf School.
Valerie then trained as an Art Therapist at Tobias and later, with her husband, John, founded and taught at the Micha-el School, which offers a full kindergarten through Grade 8 Waldorf education. She also has taught at the Micha-el Institute, especially at Summer Conferences, which among other things has provided teacher training and continuing education for many of Waldorf teachers in the Portland area and beyond.
Valerie has now retired and is developing her own work, “playing” with color, rhythm and form. Please join us for the Opening Reception Thursday, October 27, 5-7:30 and Valerie’s presentation at 6:00. Private viewing can easily be arranged by contacting Robin, at 503-222-1192 or email@example.com.
After years of loving invitations (“might you accompany your husband, Philip Incao, MD the next time he comes to Portland?”) the legendary Jennifer Thomson has agreed to lead off our 2016 – 2017 season at The Art Hall as our September artist! In addition, Jennifer is offering a five-day painting retreat, until now exclusively held at her marvelous studio in Crestone, Colorado. Excited? Indeed!
The following excerpt is from Jennifer’s website:
Roaming the rolling hills around her childhood home in Tennessee, Jennifer developed a spiritual connection to nature. In her art, she strives to use color to reflect the “aliveness” of the natural world, to express the interweaving of the living, musical elements of light, darkness and color. Jennifer is an established fine artist and art teacher. Her Studies included, Goethe’s color theory, Rudolf Steiner’s color indications and Spiritual Science at the Beppe Assenza School of Art in Dornach Switzerland. Jennifer’s paintings are created watercolor, gouache, acrylic, encaustic, plant colors with beeswax and mixed medium on different surfaces. Jennifer’s work with students is very individual; her goal is to help students find their own path and voice through the unfolding colors. For 11 years, she was director of the Internationally known Atelier House School of Painting in New York, while continuing to develop her own work. Her students came from North America, Europe and Asia. She taught art at State Institutions for handicapped children and adults, Triform Camphill, Senior Citizen’s retirement centers, in Michigan, New York, Switzerland and Colorado. Presently Jennifer lives in Crestone, Colorado, teaching and developing her art.
The installation of Jennifer’s paintings, featuring new work and several works on loan from private collections, took place on Tuesday, August 16, 2016. To learn more, join us for the opening reception on Friday, September,16, 2016, including Jennifer’s presentation “A Path of an Artist.” If you are interested in Jennifer’s five-day art retreat, please contact Robin Lieberman at 503-222-1192 or firstname.lastname@example.org.